Flemish Baroque Era Painter, 1587-1661
Flemish painter. He was the son of the composer Emanuel Adriaenssen and brother to the painters Vincent Adriaenssen (1595-1675) and Niclaes Adriaenssen (1598-1648/9). In 1597 he was apprenticed to Artus van Laeck (d 1616) and in 1610 became a master in the painters' guild. In 1632 he took on Philips Milcx as apprentice, and in 1635 he painted the coats of arms of the 17 provinces on the triumphal arches in honour of the new governor. Adriaenssen's many signed and often dated oil paintings on wood and canvas are all still-lifes, mainly of food on tables with copper- and tinware, glass and pottery (e.g. Still-life with Fish, 1660; Amsterdam, Rijksmus.). There are four paintings of vases of flowers, but vases of flowers, as well as single flowers on the table, also appear in other still-life combinations. Only two canvases are known in which he worked with figure painters: a garland of flowers around a painting of the Holy Family (Ghent, Paul Boterdaele priv. col.) by Simon de Vos and a porcelain bowl of fruit beside a Virgin and Child (ex-Gal. 'Den Tijd', Antwerp, 1982) attributed to a follower of Rubens. His compositions are graceful and balanced but somewhat stereotyped, and they are bathed in a soft chiaroscuro. Related Paintings of Alexander Adriaenssen :. | The Adoration of the Magi | Studio Interior | Lady | St.Bernard and a Cistercian Monk | unknown artist | Related Artists:
Andrea del SartoItalian High Renaissance Painter , 1486-1530
Italian painter and draughtsman. He was the leading painter in Florence in the early years of the 16th century, and, under the influence of Leonardo da Vinci, Fra Bartolommeo, Michelangelo and Raphael, he elaborated and perfected the classical style of the High Renaissance. In the second decade of the 16th century his art anticipated aspects of Mannerism, while his direct, immediate works of the 1520s became important models for the more naturalistic Tuscan artists of the Counter-Reformation. He painted mainly religious works, including both altarpieces and major cycles of frescoes. His portraits, distinguished by a dreamily poetic quality,
Egbert van der PoelEgbert van der Poel (Delft, 1621 - Rotterdam, 1664) was a Dutch Golden Age genre and landscape painter, son of a Delft goldsmith.
He may possibly have been a student of Esaias van de Velde and of Aert van der Neer. According to the RKD he was the brother of the painter Adriaen Lievensz van der Poel and a student of Cornelis Saftleven in Rotterdam. Van der Poel was registered with the Guild of St Luke in Delft on October 17, 1650, where he is listed as a landscape painter. In 1651 van der Poel married Aeltgen Willems van Linschooten in Maassluis, near Rotterdam. His most famous paintings depict the Delft gunpowder explosion of October 12, 1654 and its aftermath; he and his wife were living in the area at the time. Egbert and Aeltgen van der Poel had a son and three daughters. He died in Rotterdam in 1664.
David Dalhoff Neal (October 20, 1838 - May 2, 1915), was an American artist.
David Dalhoff Neal was born to father Stephen Bryant Neal and mother Mary (Dalhoff) Neal, on Middlesex Street, in Lowell, Massachusetts. His grandparents were Stephen Neal, and David Dalhoff and Sally (Bean) Dalhoff of Canterbury, New Hampshire, Dolhoffs that emigrated from Russia in 1763, for whom he was named. His mother's family, the Beans, migrated from Holland in the early 1830s. His aunt Elizabeth Dolhoff was very artistic, and his uncle Jesse Dolhoff was a great singer.
He attended Lowell grammar schools, and high school at Lawrence, Massachusetts. Deciding to devote himself to the study of art, he then attended art classes at the recently opened Andover Academy in Andover, New Hampshire. When Neal was 14, his father died and his fortunes were "impaired", so he set sail for New Orleans. Here at the age of 15, he worked the docks as a wharf clerk with a wood shipping firm dealing in Brazilian and Honduran mahogany.